第四百二十三章 人生若只如初见（第1 / 2页）
一月初乔峰回到了香港.
早上饭桌上.
“哥哥和阿梅这部戏演的真好.“钟楚虹放下报纸说道.
乔峰扫了一眼见封面上是一张张国容和梅艳方的剧照，两人是清末民初的民国风，梅艳方还带着一顶地主士绅习惯带的那种圆帽，乔峰了然的点了点头:“胭脂扣啊，是演的很好，要不然阿梅也不会凭借如花这个角色拿到金马奖影后.不过说真的，阿梅也是运气好，第一次正经演电影就拿到了金像奖最佳女配，然后这次正经的演女主角就拿到了金马奖影后，如花这个角色真的是太适合她了.“
“是啊，阿梅真的最适合演如花了，她平日里很喜欢热闹，嘻嘻哈哈的，可是往哪一坐静静的不说话就给人一种孤寂哀愁的感觉，立马就让人觉得她就是如花，就是石塘咀的红牌妓女就是那个和十二少倾心相爱，遭遇陈家反对，与十二少吞食鸦片殉情，定阴世之约。然后死后又苦等十二少五十年不得，遂上阳间来寻的痴情如花.“钟楚虹颇为感叹的说.
胭脂扣主要讲述了香港三十年代的石塘咀名妓如花与纨绔子弟十二少的感情纠葛，剧本是根据香港著名才女也是张国容的颜控铁粉李碧华的同名小说改编的，关錦鹏执导，正如钟楚虹说的这部电影非常的经典，它不只是一部文艺片，还是一部凄美的爱情片，就如同人鬼情未了一样的.
关錦鹏运用时空交错，以如花对十二少至死不渝的爱情讽喻了现代香港人对爱情的态度和观念，带给观众独特的视觉和心灵冲击。影片重点渲染了30年代的颓废美，而忽视了80年代香港风貌的表现，但是观众看得时候却不会有出戏的感觉，仿佛里边演的就是八十年代的香港爱情故事.
加上梅艳方在戏里不论是苦味的红牌阿姑、青楼妓女抑或痴情幽魂重返人世间去寻觅失散的爱侣，最后哀莫大于心死的离开，她都演得丝丝入扣.全片中从未以惊悚的鬼脸来吓人，在哀怨中流露出凄艳的鬼气，将那种阴郁的气质刻画得深入骨髓。以二十四岁芳龄，将在阴间苦等了五十多年的老鬼演绎得呼之欲出，一双暮气沉沉的大眼中似乎蕴涵着整整一个时代的故事。
张国容也把一个痴情但懦弱的富家子弟“十二少”刻画的入木传神，角色散发着高贵气质，有种让人敬而远之的华美。影片最后老泪纵横的十二少空茫地瞪着找回人间的如花，眼神中透露着难以言说的复杂情感，有后悔、有惊恐、有惭愧、有羞恼、有无奈甚至有愤怒。
“凉风有信，秋月无边。思娇情绪好比度日如年……今日天各一方难见面，是以孤舟沉寂晚景凉天。你睇斜阳照住个对双飞燕，独倚蓬窗思悄然……”一曲《客途秋恨》，让当年的如花唱得百转千回，绕梁三日，不仅让满座宾客听得如痴如醉，更吸引了一个有心的男人：十二少。
他们相爱了，不顾身份的悬殊相爱了.可惜，风流总被雨打风吹去。
五十三年后，已是女鬼的如花兜兜转转，历经波折终于寻得苟且偷生的十二少时，她在他耳边轻哼：“你睇斜阳照住个对双飞燕……”只此一句，便唤醒了他尘封多年的记忆。已垂垂老矣的十二少睁着一双昏花老眼，忙将前尘一一细细追认。只是都五十三年了，他还认得清吗……
繁华梦如烟已散，阴阳两隔聚首难。当两人再次面对而立时，一个依旧是绮年玉貌，仿佛昨日好女；而另一个但却是老朽委琐，不再是当年翩翩少年郎——还记得谁是谁吗？这两个人站在一起，哪个更象人，哪个更象鬼！
数十年，生死两茫茫，不思量，自难忘。
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